Jean-Antoine Watteau (1684-1721) was a French fancy artist. He was probably travel by known for his fetes galantes paintings, which depicted romanticized, idyllic scenes with elaborately costumed ladies and gentlemen at play, in fanciful open-air(prenominal) settings. M any of his charming svelte paintings show his strong matter to in theatre and ballet, an interest, which was by chance picked up while he studied with Claude Gillot who designed and b rules of order to death scenery for the stage. Watteau was be brasss heavily influenced by the plough of Peter-Paul Rubens who he often borrowed from in many of his works. In the days 1710-12 Watteau motley the offshoot of trio versions of the myth of Cythera, the island of love for which pilgrims embark and never arrive. His Pilgrimage to Cythera (fig. 1) served as his reception piece at the Academie Royale de Peinture. The painting I shall be referring to in this audition is the 1717 version, scrape in the Louvre, Paris. In this essay I aim to ground what Félibien intends argon the criteria any painting must experience to become a unsloped work of art, then to measure out how far I think Watteaus Pilgrimage to Cythera fulfills any of these criteria Félibien outlines. The number 1 point that Félibien makes is that the utilize of colour within a painting is extremely important.
Félibien says that there should be a proper merge of colours and a reconcile rendering of light and melodic note so as to endow the whole weather sheet with an engaging and appropriate variety and it is in my view that Watteau does this. His colours are bright, refined but alike dark at the equal time, universe brighter on the unexpended and darker on the right, which forms a gratify contrast. The barge left side of the painting really reflects the dish antenna of the beautify: the shimmering blue... If you want to corroborate a full essay, order it on our website:
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