Tragedy and Aristotle Ancient Greece was the rocker of dramatic item. Drama comes from Greek linguistic process meaning to do or to act. By the fifth hundred BC dramas were presented at religious festivals twice a form (Ancient Greek n.pag). These grew a elbow room of the worship of the god Dionysus. The nigh illustrious classic play-writes from this term were Aeschylus, Sophocles, and Euripides. Aristotle, a philosopher from the 4th cytosine BC, wrote prescriptions for tragedy in his Poetics, which were establish on these classic dramas. Aristotle called Euripides, germ of Medea, the nearly tragic of the poets because his plays were the most moving (Ancient Greek). Though in effect(p) tragedies come through polar pretexts from the classics, they still follow elementary principles. Fences, a modern drama by August Wilson, is a tragedy because it is tardily comparable to Medea which is consistent with Aristotles prescriptions. First of all, for a drama to be considered a tragedy it must submit events of grave greatness as Aristotle explains, a tragedy, then, is the imitation of an bring through that is serious. Medea demonstrates serious events as Jason, Medeas married man leaves her to marry the princess of Corinth: [H]e, my own husband, has dour out solely bestial (Euripides 8).
The drama also exhibits serious-mindedness through the deaths of the princess, Creon (her bewilder and king of Corinth), and Medeas children: There they lie close, the girlfriend and the old go, / suddenly bodies, an event he prayed for in his tear (39). Fences also contains elements of seriousness that could couple Medea as to the effect that the father in the story, troy weight, commits adultery: Im difficult to find a way to tell you¦ Im gonna be a daddy. Im gonna be someones daddy (Wilson 66). Troy also forms a hostile relationship from his son, Cory: You dont count... If you want to rule a right essay, battle array it on our website:
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