Reality and Fantasy in The Kite Runner

The kite counterbalance is a defend written as assumedization and read as humankind. plain partly based on f coiffe, the fictions reality comes from its continuity with actual Afghani history, history which the re get along scarce oversees and tends to only wont selected aspects of; the book derails certain real events into other, minor, fictional storytelling events from the novel.\nTo go further, the book possesses a very narrow great deal of Afghan society, culture and Afghanistan in general. Finally, when put into context with the events occurring at the time of its publishment, it can be inferred that The kite Runner seeks to use the emotions it produces with its plot to benefit the check of American actions relating to Afghanistan; thus it can be concluded that The Kite Runner was written to be an accessible, socialize and emotion-producing best-seller propaganda. It may be argued that the Kite Runner does not serve the purpose of a policy-making propaganda due to the fact that it doesnt refer to American interposition overconfidently; however, whilst the book doesnt explicitly refer to the act as a positive thing, it implicitly justifies it and promotes it with the representations it makes.\nTo start, the book implicitly feigns to represent the story of the entireness of Afghanistan, as seen when the main character, Amir, refers in several occasions to his experiences in Kabul as representations of Afghanistan as a whole, for example, in the next citation Amir references how his find of Afghanistan is represented by Hassan when Hassan clear represents a minority in the country (ethnological and morally speaking); [] to me, the locution of Afghanistan is that of a boy with a thin-boned frame, a shaved head, and lowset ears, a boy with a Chinese doll face perpetually lit by a harelipped smile. [1]. While intimately Afghans do live in Kabul, Kabul clearly doesnt represent Afghanistan as a whole; implying the opposite is narrow-minded an d it show...