Emerging From Claustrophobia Essay -- Crime and Punishment Amerika Ess

Emerging From ClaustrophobiaThe Bibles notion of the promised domain has had a profound enamour on secular literature. Modern authors have reinterpreted this biblical ideal to take on any land of redemption or salvation. This is an important concept in both Dostoevskys Crime and Punishment and Kafkas Amerika. While these novels pre direct very opposite images of the Promised Land, both focus on the protagonists star of claustrophobia until the moment of deliverance. Thus, whether their deliverance is affable or physical, both protagonists salvations lay ultimately in a sense of spatial freedom.Amerika begins with a corrupted ideal of America as the land of redemption. Karl goes abroad because he has inadvertently impregnated a servant he is sent away to escape from paternity charges and his societal sin. Parallels can be move betwixt Karl and the biblical Joseph, who also must leave his home because he is similarly blamed for an older womans sexual advances. When Karl arrives in America, he is greeted by a bright light a sudden burst of sunlight seemed to illumine the Statue of Liberty, so that he saw it in a in the buff light. (3) This can be likened to the Israelites exodus, which is guided by a tugboat of sacking And the Lord went before them by day in a pillar of a cloud, to lead them the way and by night in a pillar of fire, to give them light. (Exodus 1321) However, a crucial difference between the biblical guiding light and Kafkas is that, despite its brilliance, the latter illuminates a hazard entrance---the Statue of Liberty holds a sword instead of a torch. Despite this detail, America, for the moment, body a landscape of freedom The arm with the sword rose up as if newly stretched aloft, and round... ...skolnikov attain spatial freedom from their claustrophobic lives. Of course, we cannot be sure that Oklahoma get out be the promised land Karl expects, since Kafka never sinless the novel, but the imagery of limitless landscapes that we are left with suggests that Karls quest will soon come to fruition. Like the Jews leaving Egypt, Karl leaves a land of slave labor for unk straightawayn but promising territory. Raskolnikov, however, knows where he is headed but has put under getting there. The moment of his confession and his realization of be intimate finally abide him access to redemption, and as his delirious and guilt-ridden persona dies, one of love and gradual regeneration (465) is created. Like the gospels preach, confession purges ones sins and leads to renewal and then Raskolnikov, despite being physically imprisoned, is emotionally redeemed and can now strive for a new life.